(Due 2/27/12)
PART 1
History of Photojournalism; Jacob Riis & Lewis Hine
PART 2
READING:
National Geographic Field Guide
Read pages 103-117
Guide to Photojournalism
By Brian Horton
Read pages 79-101“Features and Portraits; Seeing the World Around Us.”
Visual Journalism
By Christopher R. Harris & Paul Martin Lester
Read pages 63-86“Technical Considerations.”
PART 3
Light
Lighting MUST be the key element in these photos.
DO NOT USE A FLASH!
Photo 1: A documentary photo of some aspect of college life with strong sense of ARTIFICIAL light:
1. Make well-composed and expressive photo using one of the lighting techniques discussed in class. Photo should have exceptionally strong quality of light.
2. Lighting technique should be very obvious.
3. This must be a documentary-style photo, do not manipulate the image in Photoshop.
4. Do NOT USE A CAMERA FLASH!!!!!!!!!
5. Lighting must be from an artificial light, such as a lamp or bulb. Can be indoors or outdoors, day or night.
6. Keep in mind some of the elements of good composition, avoiding; cluttered and distracting backgrounds, objects appearing behind heads, dead space, etc. Fill the frame, making interesting photos that have impact.
7. Composition, perspective, background, and lens selection should all be taken into consideration. Consider the various lighting techniques discussed in class; directional light, soft light, window light, back light, etc.
Photo 2: A documentary photo of some aspect of college life with strong sense of NATURAL light:
1. Make well-composed and expressive photo using one of the lighting techniques discussed in class. Photo should have exceptionally strong quality of light.
2. Lighting technique should be very obvious.
3. This must be a documentary-style photo, do not manipulate the image in Photoshop.
4. Do NOT USE A CAMERA FLASH!!!!!!!!!
5. Lighting must be natural; sun, or cloudy day. Can be indoors or outdoors.
6. Keep in mind some of the elements of good composition, avoiding; cluttered and distracting backgrounds, objects appearing behind heads, dead space, etc. Fill the frame, making interesting photos that have impact.
7. Composition, perspective, background, and lens selection should all be taken into consideration. Consider the various lighting techniques discussed in class; directional light, soft light, window light, back light, etc.
Review examples showed in class and Power Point Presentation.
*Students must complete:
1. Select best photo from each part, submit (2) photos.
2. SLUG PHOTO AS FOLLOWS:
Last name_natural.jpg
Last name_artificial.jpg
EXAMPLE:
franklin_natural.jpg
franklin_artificial.jpg
3. Be sure to caption photos.
4. Submit to drop folder
ASSIGNMENT #06
(Due Monday 3/12/12 (three weeks)
Live Event (Multiple Pictures)
PART 1
READING:
Guide to Photojournalism
By Brian Horton
Read pages 54-77
“News: Sensitivity, Thinking, Instinct and Curiosity”
Read pages 131-152
“Lessons; Horst Faas, J.Pat Carter, Alan Diaz”
PART 2
HISTORY OF PHOTOJOURNALISM
Please read the following DOC’s:
PART 3
Come up with a short list of subjects for consideration for your final project. Be ready to discuss in class.
PART 4
Cover a Live Event / Multiple Pictures
Select a scheduled public event and photograph all aspects of the event in the form of a photo essay. Be sure to shoot various scenes, including overalls and details, and illustrate what the event is about. Get photos of all the important people and subject matter.
Select a carefully chosen event to shoot, thus you have three weeks to plan.
Suggestions; news event, parade, protest, performance, etc.
Do not shoot a sporting event, a press conference, fair, etc. Check newspaper, campus fliers, and magazine listings for a schedule of events in your area.
Select an event that will be visual, not something static like someone standing at a podium talking. Think of some of the work reviewed in class. Your event selection is key, give it some thought and planning.
Be prepared to use your flash if necessary. Keep in mind some of the elements of good composition, avoiding; cluttered and distracting backgrounds, objects appearing behind heads, dead space, etc. Fill the frame, making interesting photographs that have impact. Composition, positioning, background, and lens selection should all be taken into consideration. Photos as a collection should illustrate what the event is about. Make the photos relevant, avoid repetition.
Last name_live event1.jpg Last name_ live event2.jpg
EXAMPLE: franklin_ live event1.jpg
franklin_ live event2.jpg
Photo by by Richard Fetzer
(Due 2/20/12)
Composition
READING:
National Geographic Ultimate Field Guide
Read pages 82-95, 160-165
Guide to Photojournalism
By Brian Horton
Read pages 79-101“Features and Portraits; Seeing the World Around Us.”
PART 2
HISTORY OF PHOTOJOURNALISM
(1) Mathew Brady (see Photographer’s Bio’s)
PART 3
Composition (2) photos
PHOTO 1:
Make an environmental portrait of a person using “Rule of Thirds.
Subject: Make well-composed, expressive environmental portraits of a person in their place of work environment. Photo should give insight into what the person does. The environment should be obvious and explanatory. Make photos of subject in different positions, locations, with special emphasis on positioning.
Keep in mind:
YOU ARE IN CONTROL, this is a passive assignment.
There should be obvious foreground & background.
PHOTO 2:
Make well-composed action photos of a person at work in their place of work environment using one of these compositional techniques: Framing, Leading Lines, Juxtaposition, or Silhouette.
This should be a Graphic Photograph. One that is visual and emphasizes the relationship between the lines, shapes and forms produces an aesthetically pleasing visual presentation.
Graphic elements are as important as the story-telling content with this assignment.
Keep in mind:
This is NOT a passive assignment, this is an active photo, and should be documentary.
*Students must complete:
1. Select (1) best photo of each. (2) total.
2. Follow “Basic Photoshop”, use outline provided if needed.
3. Type complete caption in FILE INFO field in Photoshop, see instructions.
****CAPTION MUST STATE WHICH TECHNIQUE YOU ARE USING!
4.SLUG PHOTO AS FOLLOWS:
Last name_ composition1.jpg, Last name_ composition2.jpg
5. Place image in the “drop folder”
(remember to save a copy for yourself to you folder)
Photojournalist Paper
Due 3/26/12
Each student will be required to select and contact a working photojournalist of choice, accompany them on an assignment, conduct an interview and write a paper on the experience.
The project will require research and preparation, and the ability to contact and meet with the photojournalist. Every effort should be made to try and accompany the photojournalist on an assignment. This will require planning and coordination.
***WEDDING & COMMERCIAL PHOTOGRAPHERS ARE NOT PERMITTED. WORKING PHOTOJOURNALISTS & NEWS PHOTOGRAPHERS ONLY!
SELECT SOMEONE WITH REAL EXERIENCE –at least 5 years.
The goal of this presentation is for students to learn something about the field of photojournalism, which is undergoing cataclysmic changes, from a working professional who can offer insight. In addition to the list of questions below, students should prepare their own set of questions. Research on photographer’s background should be completed BEFORE interview session.
Be inquisitive. Get their advice. Get a sense of the photographer’s attitude, style, and perspective. This is a unique opportunity to get some real career insight, even in photojournalism is not in your future. There is much that can be learned from professionals in related fields. Make the most of the opportunity.
1. The written paper should be minimum 2000 words (2-3 pages, no more), and written in the student’s own words... DO NOT PLAGIARIZE.
The written report must be a WORD document.
-12pt font, single-space, and submitted to the DROP FOLDER.
2. Shoot your own photo of the photojournalist, hopefully in action.
-Copy and paste 1-2 photos of photographers work into WORD document.
-Copy and paste 1-2 of your photos into WORD document.
3. The paper MUST follow this outline:
I.BACKGROUND
-Why was photographer selected?
-What is the photographer’s background?
-How did they get interested and started?
-Etc.
II. PHOTOGRAPHY WORK
-What type of work or projects is the photographer known for?
-List examples, and gives description.
-Copy and paste at least 2 photos into WORD document.
-Who do they work for now, in the past?
-Describe their job/assignments.
Etc.
III. JOB
-Describe their job/assignments.
-What aspects of their jobs are most satisfying? Least satisfying?
- What aspects of their jobs are most difficult?
-What advice do they have for young journalists?cont>
-What are the most important skills to have to be a successful photojournalist?
-What changes in the business have they experienced?
-What does the future hold for photojournalists?
PLEASE DO NOT CONTACT THE FOLLOWING PHOTOGRAPHERS:
-Chris Pedota / The Record
-Matt Rainey / Star-Ledger
-Tony Kurdzuk / Star-Ledger
-John O’Boyle / Star-Ledger
-JerryMcRea/ Star-Ledger
DO’s AND DON’Ts:
-Do not wait until the last minute to contact the photographer. DO IT NOW!
-Do not expect the photographer to get back to you immediately, if at all.
-Be persistent and assertive, and don’t wait for returned calls. Be proactive.
-Do research BEFORE contacting them. Impress them with what you already know about them. This will most likely lead to a better interview, and will show respect for their time.
-Ask for help in making initial contact.
-Make every opportunity to accompany them on an assignment.
Where to find a photojournalist?
-Get in the habit of looking for credits under published photos.
-your local newspaper
-Visit photojournalism web sites:
www.njppa.org (New Jersey Press Photogs Association)
www.nppa.org (National Press Photogs Association)
www.digitaljournalist.org Dirck Halstead (very important site!)
www.sportshooter.com (not just sports)
http://www.aphotoaday.org/ (a photo a day web site & blog)
-The Star-Ledger
-The Record
-The Asbury Park Press
-The Herald News
-The NY Times
-Review the PPP’s.
-Ask me.
ASSIGNMENT #03
(Due 2/13/11) Selective Focus
PART 1
READING:
National Geographic Ultimate Field Guide, pages 44-82
1. Focus; 76-82
PART 2
Photographer’s Bio’s:
2. History of Photography Timeline
3. History of Photojournalism; Roger Fenton
PART 3
SELECTIVE FOCUS is a technique in which one portion of a photograph is in focus, while other elements are blurred out-of-focus. The photographer makes the choice. Remember, the viewer's eye is naturally drawn toward the part of the photo that is in sharp focus. This is achieved by careful focus and employing shallow depth of field through the use of a wide aperture. The subject is isolated from its surroundings, through focus and depth-of-field.
SHOOTING ASSIGNMENT:
Photo 1
Photograph a person holding or with their favorite object, with obvious foreground vs. background. Compose a photograph focusing on the object. Only the object should be in sharp focus. The person should not be in sharp focus. Using depth-of-field and selective focus, try to isolate the subject from its surroundings to create a clean, sharp image. Be mindful of the technical issues we’ve discussed in class; such as DOF, movement. Review examples shown in class.
Photo 2
Photograph a close-up of a person in a favorite room or place, with obvious foreground vs. background. There should be a connection between the person and place.
Compose a photograph focusing on the person. Only the person should be in sharp focus. The room or place should not be in sharp focus. Using depth-of-field and selective focus, try to isolate the subject from its surroundings to create a clean, sharp image. Be mindful of the technical issues we’ve discussed in class; such as DOF, movement. Review examples shown in class.
This is a creative and technical assignment. Make strong expressive photos!
Shoot different angles, work the subject.
*Students must complete:
1. Select (1) best photo one of each.
2. use Photoshop to edit images.
3. Be sure to include a caption, -2pts
4.SLUG PHOTO AS FOLLOWS:
EXAMPLES:
yourlastname_ focus_object.JPG,
yourlastname _ focus_person.JPG
***photos must be slugged correctly, -1pt
5. Place images in the “drop folder”
(remember to save a copy for yourself to you folder)
